Oct 022015

james wan

Horror master James Wan is developing a movie adaptation of horror novel, The Boy Who Drew Monsters, for New Line. Not content with currently directing The Conjuring 2: The Enfield Poltergeist, and the upcoming Aquaman film, Wan will produce this new horror project.

THR reported the news:

In a competitive situation, New Line has preemptively picked up the movie rights to The Boy Who Drew Monsters, a horror novel by Keith Donohue, for an adaptation to be produced by The Conjuring and Furious 7 filmmaker James Wan.

Ian Goldberg and Richard Naing, who penned Emile Hirsch’s recently wrapped indie horror film The Autopsy of Jane Doe, are on board to write the adaptation.

The book, published in 2014 by Picador, centered on a 10-year-old boy who suffers from Asperger’s as well as agoraphobia. But he also develops the ability to bring to life whatever he draws, which unfortunately happens to be monsters.

The boy’s best friend, his parents and a priest’s housekeeper figure into the story as they all try to help the boy in a book that is described as part drama, part ghost story and part creature feature.

Wan will produce with Michael Clear, who heads production at Wan’s Atomic Monster and brought the book into the label. Atomic Monster has a first-look deal with New Line, but that is for low-budget horror projects. This project falls outside of the deal.

Richard Brener, Walter Hamada and Dave Neustadter will oversee.

Wan is currently in production on The Conjuring 2 and is also developing Aquaman. He is repped by Paradigm, Stacey Testro International and David Fox at Myman Greenspan.

Goldberg, who worked with David Goyer developing the Superman-based Krypton television show, and Naing, who was an associate producer on the Sam Rockwell indie Better Living Through Chemistry, penned a recent draft of a Friday the 13th reboot.

Matt Wavish

Matt WavishA keen enthusiast and collector of all horror and extreme films. I can be picky as i like quality in my horror. This doesn't necessarily mean it has to be a classic, but as long as it has something to impress me then i'm a fan. I watch films by the rule that if it doesn't bring out some kind of emotive response then it aint worth watching.

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