Jason’s mother was the killer, Bruce Willis was dead all along and aliens suffer from aquagenic pruritus, apparently. Most of us know the biggest twists of the horror movie world – but a few genius narrative turns are perhaps lesser known discussed. To celebrate the release of the terrifying new Isla Fisher scarer, Visions we look at some of the best plot pivots that you either didn’t know or likely forgot. Before we continue, it goes without saying that some MAJOR SPOILERS lie herein…
Carnival of Souls (1962)
Directed by Herk Harvey, this classic horror follows Mary Henry (Candace Hilligoss), as she and some friends drive around the town. Shortly into the film they are challenged to a drag race, which they accept, but end up losing control and driving off a bridge. It appears that they all drowned, until Mary amazingly emerges from the river. After recovering, Mary accepts a job in a new town as a church organist, only to be stalked by a mysterious phantom figure that seems to reside in an old run-down pavilion. It is here that Mary must confront the personal demons of her spiritual insouciance.
The Twist: Mary died at the beginning of the movie.
It is revealed at the end that Mary never survived the crash and while this may not seem like the most creative twist in horror history, it was one of the first films to implement such an idea. Inspiring future great horror directors like George A. Romero and David Lynch, as well as a number of movies, including a poorly received re-imagining in 1998.
The Descent (2005)
From filmmaker, Neil Marshall (Dog Soldiers), this British gem follows Sarah (Shauna Macdonald, Filth) as she is coaxed into travelling to the States to attend a special spelunking trip set up by her friend, Juno (Natalie Mendoza, Moulin Rouge!). Along with some old friends and a new acquaintance of Juno’s, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an unknown cave and the group soon find themselves being stalked by the murderous creatures that dwell within.
The Twist: Sarah never escapes.
Towards the end of the movie Sarah seemingly escapes the cave and begins to drive away. However, this is revealed to be nothing more than a hallucination and Sarah wakes up to find herself still surrounded by darkness. This lures the audience into a false sense of safety before bringing them back to the desolate visuals of inside the cavern, intensifying feelings of hopelessness and despair. However, this film would be a lot higher on the list if it wasn’t for brevity of this twist
Malcolm Rivers, a convict sentenced to death, is stuck in transit with his lawyer; elsewhere a sudden rainstorm in a remote desert town strands a disparate variety of people at a rundown motel. A young couple on their honeymoon, a chauffeur and the actress he is driving, a husband trying to find help for his wife and son, a prostitute who wants a better life and a police detective who is in custody of a dangerous criminal. As the rain pours down and motel manager Larry tries to care for his customers, one by one the unexpected guests begin losing their lives at the hands of a murderer.
The Twist: All of the events happening at the motel are occurring inside Malcolm’s mind and each one of Malcolm’s personalities is represented by one person at the motel.
It is revealed that Malcolm has 10 split personalities and that the events at the motel are a result of the treatment he is receiving: the killings at the motel are his mental attempts to eliminate his nine excess personalities. It is one of the more creative twists on this list and is almost unparalleled by any other in the genre, although it has been known to divide audiences, mainly due to its high concept. With a stellar cast of John Cusack (Con Air), Ray Liotta (Goodfellas), Amanda Peet (2012), John Hawkes (Everest), John C. McGinley (Platoon) and Alfred Molina (Spiderman 2), it is an absolute must see.
Sleepaway Camp (1983)
Angela Baker, a young girl traumatised by witnessing her father and brother’s death at an early age, is sent off to summer camp with her cousin Ricky. Shortly after she arrives, Angela is picked on by the other campers and soon members of the camp begin to show up dead.
The Twist: Angela is actually her brother, Peter.
It is revealed at the end of the film that Angela is the camp killer, which most might have seen coming. However, the true twist comes when Angela reveals that she is actually Peter, the supposedly dead brother. After his sister and father were killed in a boating accident, Peter went to live with his aunt and her son, who decided to raise him as a girl because she always wanted a daughter. It is one of the most jaw dropping twists in cinema history, mainly because of the way in which Angela is exposed (quite literally) as Peter.
The Orphanage (2007)
This Spanish horror produced by Guillermo Del Toro (Pan’s Labyrinth) tells the story of Laura, who moves into the old Orphanage where she spent her childhood. Along with her husband, Carlos, and their seven-year-old son, Simon, they plan to reopen the orphanage as a facility for disabled children. However, something ominous haunts the darkened hallways of the manor and one night Simon disappears, causing Laura to search the orphanage for her son and the secrets it holds.
The Twist: Laura killed Simon.
On the night of an argument between Simon and Laura, Simon found a secret underground room where he hid from his mother. However, when Laura went looking for him, she accidentally blocked out his exit, which results in Simon dying when he tries to free himself. It is an absolutely heart-breaking twist that will be sure to make any parent weep for weeks.The film itself is a refreshing addition to the genre, opting as it does for psychological rather than jump scares.
A Headmaster, Michel, becomes the target of a murder plot devised by his latest mistress and his long-suffering, weak-hearted wife Christina. After what seems like a successful murder, her husband’s corpse soon disappears and upon hearing rumours of his reappearance, Christina becomes more and more distressed and struggles to live with the mystery she created.
The Twist: The husband was never dead.
It turns out that the mistress and Michel were working together from the beginning; faking the husband’s murder and having him stalk Christina, ultimately causing to her to die from a heart attack due to the sudden appearance of her ostensibly dead husband appearing in her bathtub. The film was directed by Henri-Georges Clouzot and stars Simone Singoret, Vera Clouzot and Paul Meurisse.
The plot focuses on a Fenton Meiks, who confesses to FBI agent, Wesley Doyle, that the notorious ‘Hand of God’ killer is actually his brother, Adam. He reveals his family’s upbringing to the agent, saying that his fanatically religious father believed that he had been commanded by God to kill ‘demons’ disguised as people and forced Fenton and his brother to join his mission, although Fenton was far more reluctant to take part than his brother.
The Twist: Fenton is actually Adam.
Fenton is actually Adam, the real ‘Hand of God’ killer, and has been leading agent Doyle to the burial ground of his family’s victims, as he believes Doyle to be one of the demons God wants dead. This film marks the directorial debut of Bill Paxton (Aliens, Edge of Tomorrow), who also stars in the movie as the aforementioned fanatical father. The film also stars Matthew McConaughey (Dallas Buyers Club) and Powers Boothe (Sin City) and is praised for its subtle approach to the genre, leaving a lot of the gore to the viewer’s imagination.
The Others (2001)
In the final days of World War II, Grace (Nicole Kidman, Eyes Wide Shut), a young woman, has been raising her two young, photosensitive children alone in her beautiful Victorian mansion, while she waits for her husband, Charles (Christopher Eccleston, 28 Days Later). But when a new trio of servants arrives to replace the previous crew that inexplicably disappeared, startling events begin to unfold. At first, Grace refuses to believe her children when they tell her of their scary sightings, but soon, she too begins to sense that they are being haunted.
The Twist: Grace and her family are actually haunting the house.
Grace follows an elderly woman, who she first thought was an intruder, to a room where the she begins to conduct a séance with the other people Grace believed to be intruders. It is then revealed that Grace went mad living in isolation and ended up killing herself and her family, who now haunt the mansion. This suspenseful supernatural tale is a testament to the old phrase ‘less is more’ choosing to build suspense and keep the audience on edge rather than going for shock value.
Now Psycho hasn’t exactly been forgotten about over the years, in fact the film is almost universally known by all. However, the twist ending is often neglected, mainly due to how iconic and memorable the shower scene is. For those of you who haven’t seen this classic feature (shame on you), the story starts by following Marion Crane, a real estate secretary who is unhappy with her life and ends up stealing $40,000 from the company she works at, hoping to start a new life with the cash. Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper, Norman Bates (Anthony Perkins), cheerfully mentions that she’s the first guest in weeks, before he regales her with curious stories about his mother over dinner. Marion is soon after attacked and killed by Mrs Bates, leading to several investigations at the motel.
The Twist: Norman Bates is Norma Bates.
Norman Bates killed his mother and her lover over ten years before the film takes place, developing a split personality and adopting his mother as a persona. It is revealed that whenever he was attracted to a woman, Norma would take full control of his mind and kill her out of jealousy. Alfred Hitchcock (The Birds, North by Northwest) does an incredible job of misdirecting the audience, telling them early on that Norma Bates was behind the murders and seemingly revealing the films biggest secret. This plot twist is still causing jaws to drop over 50 years after its release and will forever go down in history as a seminal masterpiece.
A young mother-to-be Eveleigh (Isla Fisher, Now You See Me), joins her husband David (Anson Mount, Safe), at their beautiful new vineyard home only to be plagued by terrifying noises and visions of a sinister hooded figure. No one else hears or sees these hallucinations, not even David, and desperate to prove her sanity, Eveleigh hunts down locals who reveal the haunted history of the vineyard in which she now resides. But when the pieces come together, the answer is far different – and more dangerous to her and her baby – than she ever imagined. The film also stars Jim Parsons (The Big Bang Theory), Eva Longoria (Desperate Housewives) and Gillian Jacobs (Community) and is definitely one to watch for fans of the genre.
Plot Twist: YOU BETTER WATCH THE FILM.
Lionsgate Home Entertainment Releases Visions on DVD and Digital HD June 20th