Two more gruesome images have been revealed for horror anthology sequel, VHS/2, and we have both of those images right here for you to enjoy.
The first image see’s a man with a shotgun who is clearly gone a bit mental and has killed some innocent victims, and there is a big question mark as to what that symbol on the wall is behind him. Apparently some have been asking of it is the symbol from the Blair Witch Project, but I doubt that. What I do know is that this image is most likely from a segment which features a group of Japanese men shooting themselves in the head, as seen in the trailer.
The second image is a little more grotesque, and shows a man whose face has been bitten into by some unknown creature. Nasty stuff!
V/H/S 2 arrives on VOD in the US from June 6th, and will have a theatrical release from July 12th. There are no UK dates announced at this time.
The directors for V/H/S 2 include Gareth Evans ( The Raid and Merantau), Eduardo Sanchez (Lovely Molly, The Blair Witch Project) along with his producing partner Gregg Hale, Jason Eisener (Hobo With A Shotgun) and Timo Tjahjanto (Macabre, The ABC’s of Death) will be joining returning writer and director Adam Wingard (V/H/S, You’re Next, A Horrible Way To Die), and writer/producer Simon Barrett (V/H/S, You’re Next, A Horrible Way To Die) will be making his directorial debut.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static—white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
From the demented minds that brought you last year’s V/H/S comes V/H/S/2, an all-new anthology of dread, madness, and gore. This follow-up ventures even further down the demented path blazed by its predecessor, discovering new and terrifying territory in the genre. This is modern horror at its most inventive, shrewdly subverting our expectations about viral videos in ways that are just as satisfying as they are sadistic. The result is the rarest of all tapes—a second generation with no loss of quality.