Luke Evans and Elisabeth Moss head to Ben Wheatley’s ‘High-Rise’





luke evans

Luke Evans (above) and Elisabeth Moss are the latest to join Ben Wheatley’s (Sightseers, A Field in England, Kill List) latest sure to be classic feature, High-Rise.

Variety reported the casting news, although details of their characters have not been revealed. Evans and Moss join the already cast Tom Hiddleston, Sienna Miller, Jeremy Irons and James Purefoy.

Wheatley’s High Rise is an update of JG Ballard’s dystopian novel, which is being produced by Jeremy Thomas’ RPC.

Hiddleston leads cast on the thriller as a young doctor drawn into the violence and debauchery of a surreal 1970s residential tower block.

Shoot is slated to get underway this July in Belfast. Script comes from Amy Jump while financiers include FilmFour and the British Film Institute, with support from Northern Ireland Screen.

Studio Canal will release the film in the UK.

Synopsis:

The film centres on a new residential tower built on the eve of Margaret Thatcher’s rise to power, at the site of what will soon become the world’s financial hub. Designed as a luxurious solution to the problems of the city, it is a world apart.

Enter Robert Laing (Hiddleston), a young doctor seduced by the high-rise and its creator, the visionary architect Anthony Royal (Irons). Laing discovers a world of complex loyalties, and also strikes up a relationship with Royal’s devoted aide Charlotte (Miller).

But rot has set in beneath the flawless surface. Sensing discord amongst the tenants, Laing meets Wilder, a charismatic provocateur bent on inciting the situation. Wilder initiates Laing into the hidden life of the high-rise and Laing is shocked at what he sees. As the residents break into tribal factions, Laing finds himself in the middle of mounting violence. Violence that he also finds emerging in himself.

Matt Wavish
About Matt Wavish 10125 Articles
A keen enthusiast and collector of all horror and extreme films. I can be picky as i like quality in my horror. This doesn't necessarily mean it has to be a classic, but as long as it has something to impress me then i'm a fan. I watch films by the rule that if it doesn't bring out some kind of emotive response then it aint worth watching.

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