If the thought of reading 5 long articles on this year’s Fright Fest (found here, here, here, here, here) fills you with a sense of dread, and you just want the bottom-line, then this is the article for you. Here’s every movie I saw at Fright Fest 2016 ranked in order of best to worst. Please note I have included Crow, though I watched that on my TV at home rather than having the pleasure of seeing it on the silver screen.
- The Master Cleanse (funny, moving and engaging – future classic)
- Train to Busan (incredible: the best zombie film I have ever seen)
- Beyond The Walls (very probably the scariest TV show I have ever seen)
- White Coffin (incredible presentation, decent plot and disturbing finale)
- Pet (a thrilling game of cat and mouse, with some great twists and turns)
- Abattoir (nightmarish – possibly the ultimate haunted house movie)
- Found Footage 3D (works equally well as a comedy and a horror)
- Director’s Cut (hilarious and original meta-comedy horror)
- Hostage to the Devil (engaging documentary on a creepy subject)
- Monolith (best film ever made about someone breaking into their own car)
- 31 (the most Rob Zombie film ever – fans will love it, but haters will really hate it)
- Realive (sci-fi romance that made the guy in front, with a Cannibal Holocaust hoody, cry)
- Mercy (brilliantly intense home invasion movie let down by a stupid ending)
- Crow (highly atmospheric horror-fantasy tale of man vs nature)
- Let’s Be Evil (a very good concept with some key elements missing)
- Johnny Frank Garrett’s Last Word (decent ghost thriller with a dull villain)
- The Unraveling (a fairly involving horror-drama lacking in any real payoff)
- My Father Die (visually stunning, but has very little depth – wasted premise)
- The Windmill Massacre (unoriginal supernatural slasher – with great scenery)
- From A House on Willow Street (South African horror is a lot like Blumhouse)
- Sadako vs Kayako (The Grudge vs The Ring: surprisingly funny, but very boring)
- The Rezort (an anti-zombie film that gradually turns into a rather generic one)
- Cell (a poor and vague adaptation of a not very good Stephen King novel )
- Broken (maybe the most boring horror I’ve seen all year)
I will add this list doesn’t necessarily correspond to their individual reviews – festival glasses are a very real thing, and sometimes the more you think about something the better it becomes. Hence why I gave We Are Still Here 5 stars last year, and Worry Dolls 4 (which, in hindsight, neither deserved).
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