Articles by david.s.smith
HCF exclusive interview with Okora: The Prelude writers/directors Lexx James and Lyston Laurence
Earlier in the week Horror Cult Films reviewed the excellent London based horror/ fantasy Okora The Prelude . Since then we’ve exchanged emails with the young and talented directors Lexx James and Lyston Laurence in […]
Okora: The Prelude
[youtube]https://www.youtube.com/watch?v=tPhmbC4LUVE[/youtube] ‘Hey David’ says the lovely Horror Cult Films web-mistress (who I’m in no way sucking up to). ‘You able to attend a premier of Okora The Prelude next week?’ Being a fan of going […]
As Above So Below (2014)
As Above So Below (2014) Directed by John Erick Dowdle Note: This review contains mild spoilers, though nothing that is not shown in the trailer. As Above So Below has been getting a fair bit […]
Dawn of the Dead with Claudio Simonetti’s Goblin
This piece was very almost subtitled ‘losing my virginity at 28’. Not, I will hasten to add, because I fornicated for the first time this week. No, as I’m sure you can tell by me […]
Sex, horror and friendship: the social side of scary movies
Torture porn hyperbole aside, the horror genre has several things in common with sexual intercourse. Leaving some room for interpretation, I’m only going to list three here. First, if done correctly then both sex and […]
Diminishing returns: All part of horror fandom
Shortly after moving to London as a single young man, I joined a dating network with the intention of finding companionship and, hopefully shortly after, fornication (this will be relevant by the end of […]
To Hell and back: In defence of remakes
With the once loveable Leatherface revving up his chainsaw again last month, I got thinking about remakes and reboots; something that as a horror fan it can be somewhat difficult to avoid. It seems that […]
The Download Horror (2012)
Have you and a friend ever brought out the crisps, got some cold beers and put your feet up to watch a mediocre horror movie? The answer’s probably yep; we’re genre fans after all. Ok, […]
Teeth (2007)
When I first told Horror Cult Films I wanted to review Teeth I got asked if it was the one where a lady’s private region ‘grew jaws’. Indeed, Teeth is much like the surprisingly tame […]
Stephen King’s The Shining (1997)
With the Stanley Kubrick masterpiece getting a re-release for Halloween, I thought the time was ripe to revisit the TV miniseries of The Shining. Written by Stephen King (who was famously disappointed in the cinematic […]
My FrightFest 2012 Trip Part 2: Maniac and Some Fairly Average Movies
This is my follow up my first day of London Fright Fest 2012. My first report contains brief reviews of V/H/S and [Rec]3 among others, and can be seen at https://horrorcultfilms.co.uk/2012/08/my-frightfest-2012-trip-part-1-vhs-rec3-and-others/ It’s not that I […]
My Frightfest 2012 Trip, Part 1: V/H/S, [Rec]3 and others.
Coming into Leicester Square on the Friday morning I was tired like I couldn’t tell you. Thursday had involved a train journey from Aberdeen followed by lots of catching up and drinking with my brothers […]
Post Hostel Horror (2006 – 2012)
A common myth among casual horror fans is that the genre died a brutal death some point after 1980 and has since been savagely beaten and raped, like a victim of too many ‘torture porn’ […]
Megan is Missing (2011)
Remember Internet chat rooms? Before the days of social networking sites, it was sort of normal for people to go on to these and speak to complete and utter strangers from all around the world. […]
Tape 407 (2012)
This review contains some spoilers As with my review for The Beast Must Die I want to preface this by saying I had absolutely no plans on reviewing this movie; instead it was […]
The Beast Must Die (1974)
This is not what I was planning on writing about. I was a few hundred words in to a review for the found footage pedo-horror Megan Is Missing (which I would sort of recommend – […]
Pin (1988)
‘Psychological horror’ (aka ‘psychological thriller with supernatural overtones’) may be among the most overused phrases from the general film critic’s vocabulary. More often than not it gets used in an elitist fashion so as to elevate […]