Animation

Seoul Station (2016)

SEOUL STATION Directed by Sang-ho Yeon https://www.youtube.com/watch?v=3MRvEEiaFoQ Right, I don’t know about you but I bloody loved Train to Busan – absolutely loved it. And by the looks of it, so did a lot of […]

Genres

HOUSE OF SALEM (2016)

HOUSE OF SALEM (2016) Written and Directed by James Crow A young boy named Josh is kidnapped from his bedroom by a group of masked criminals and taken to a safe house where he’s to […]

HCF Reviews

Raw (2016)

RAW (2016) Directed by Julia Ducournau Raw’s reputation precedes it. Following its premier at the Toronto film festival, where paramedics were called, it’s become infamous for its grizzly content and an LA cinema allocating barf […]

HCF Reviews

The Void (2016)

THE VOID (2016) Directed by Jeremy Gillespie and Steven Kostanski As a title, The Void may make you think of nothingness – yet that’s the last thing you’ll feel about it. Writer/ director team Steven […]

Drama

MY FATHER DIE (2016)

MY FATHER DIE (2016) Written and Directed by Sean Brosnan After discovering his teenage son Chester sleeping with his underage mistress, Ivan brutally beats the young man to death whilst injuring his youngest son Asher. […]

Crime

THREE (2016)

THREE (2016) Directed by Johnnie To Criminal Shun enters the emergency room accompanied by the police after being shot in the head. With the bullet still lodged in his skull, neurosurgeon Dr Tong is adament […]

Genres

BEYOND THE GATES (2016)

BEYOND THE GATES (2016) Directed by Jackson Stewart Gordon returns to his hometown to help younger brother John out with the clearance of their father’s old video rental shop. Missing for 7 months and presumed […]

HCF Reviews

Elle (2016)

ELLE (2016) Directed by Paul Verhoeven Given that’s he’s best known for Basic Instinct, Starship Troopers and Robocop, a small scale black comedy about a woman recovering from trauma may seem a strange choice for […]

HCF Reviews

PARASITES (2016)

UK Release Date – TBC I probably complain a lot about filler in independent movies, it’s a pretty typical way of reaching feature length without actually having enough real material in a screenplay beyond pages […]